Editorial
An introduction from David Downton
Good Times
Tony Glenville analyses the enduring appeal of Gazette du Bon Ton
Portfolio 1: Richard Gray
The illustrator renowned for his complex, highly charged imagery goes back to basics
Fashion Show
Lydia Fulton talks fashion and fine art with William Ling, the founder of Fashion Illustration Gallery (FIG)
Vive Couture!
Erin O'Connor, Lisa Armstrong, Tim Blanks and David Downton inside the Empire of Excess
Portfolio 2: Sarah Mower
The highly regarded journalist and comentator unveils her teenage alter ego
An introduction from David Downton
Good Times
Tony Glenville analyses the enduring appeal of Gazette du Bon Ton
Portfolio 1: Richard Gray
The illustrator renowned for his complex, highly charged imagery goes back to basics
Fashion Show
Lydia Fulton talks fashion and fine art with William Ling, the founder of Fashion Illustration Gallery (FIG)
Vive Couture!
Erin O'Connor, Lisa Armstrong, Tim Blanks and David Downton inside the Empire of Excess
Portfolio 2: Sarah Mower
The highly regarded journalist and comentator unveils her teenage alter ego
Portrait of a Fashion Artist
We profile the grandfather (make that the louche uncle) of fashion illustration, Giovanni Boldini
In Memoriam
Cathy Horyn, Gladys Perint Palmer and Bruce Oldfield pay personal tribute to three incomparable illustrators: Joe Eula, Muriel Pemberton and Colin Barnes
Portfolio 3: Jason Brooks
The maestro of the Mac on the power of the hand-drawn line…
The Designer's Art
The personal work of Ian Garlant, Creative Director of Hardy Amies
Q&A: Carmen Dell'Orefice
Legendary model Carmen Dell'Orefice recalls working with the great illustrators and art directors of the 40s and 50s
The Last Carriage
Adieu from Issue 1
We profile the grandfather (make that the louche uncle) of fashion illustration, Giovanni Boldini
In Memoriam
Cathy Horyn, Gladys Perint Palmer and Bruce Oldfield pay personal tribute to three incomparable illustrators: Joe Eula, Muriel Pemberton and Colin Barnes
Portfolio 3: Jason Brooks
The maestro of the Mac on the power of the hand-drawn line…
The Designer's Art
The personal work of Ian Garlant, Creative Director of Hardy Amies
Q&A: Carmen Dell'Orefice
Legendary model Carmen Dell'Orefice recalls working with the great illustrators and art directors of the 40s and 50s
The Last Carriage
Adieu from Issue 1
